Marek’s strength lies in deep understanding of the game he is working on. His ideas to enhance the gameplay and the narrative always consider the time and financial cost. When the production starts, Marek rarely takes the easy way out and carefully creates his own synthesizer patches and drum samples, not relying on widely-available sound palettes which are so commonly used by other composers. Through strategic use of leitmotifs, surprising stylistic blends, or using raw audio editing techniques, he creates original and engaging music.

As a sound designer, Marek is able to both record his own source material or select it from a range of owned libraries. When the game needs it, he provides multiple assets for each sound effect (for example foot steps or fighting sounds), making sure the player is immersed in the experience. He is fluent in FMOD and his experience allows him to implement quality-of-life audio changes (did you know that slight pitch randomization will notably prolong the life of any gunshot sound effect?).